{"id":147,"date":"2012-03-02T11:21:42","date_gmt":"2012-03-02T11:21:42","guid":{"rendered":"http:\/\/grahamdinton.com\/wp\/?p=147"},"modified":"2017-05-09T22:21:22","modified_gmt":"2017-05-09T21:21:22","slug":"dialogue-mechanics","status":"publish","type":"post","link":"http:\/\/grahamdinton.com\/wp\/?p=147","title":{"rendered":"Dialogue Mechanics"},"content":{"rendered":"<p>Continuing my Friday theme of posting fiction writing techniques, here is some more about the art and science of dialogue.<br \/>\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/grahamdinton.com\/wp\/wp-content\/uploads\/2012\/02\/wpid-dragged-2012-03-2-11-21.tiff\" alt=\"wpid-dragged-2012-03-2-11-21.tiff\" width=\"315\" height=\"236\" \/><br \/>\n1. <span style=\"font-size: 18pt; color: #0e58a8;\">Dialogue<\/span> is the first thing readers look for.When I am browsing in a bookstore and pick up a novel I am considering, I flick through the pages and see the pattern and density on the page, the paragraphing and the dialogue. Then I read a little and it tends to be the dialogue that I read first. It sets the tone for the novel.<\/p>\n<p>So it is important to get dialogue right and I have studied the mechanics of dialogue from this great book: \u2018<a href=\"http:\/\/www.amazon.co.uk\/Self-Editing-Fiction-Writers-Second-Yourself\/dp\/0060545690\/ref=sr_1_1?ie=UTF8&amp;qid=1330012394&amp;sr=8-1\">Self-Editing for Fiction Writers<\/a>\u2019 by Renni Browne and Dave King.<\/p>\n<p>&nbsp;<\/p>\n<p>2. <span style=\"font-size: 18pt; color: #0e58a8;\">Don&#8217;t over-explain<\/span><br \/>\n&#8220;You can&#8217;t be serious,&#8221; she said in astonishment.<br \/>\nThis is lazy writing. The writing should be strong enough that the reader gets the fact she is astonished.<br \/>\nResist the Urge to Explain. R.U.E.<br \/>\nLet the dialogue SHOW the emotion.<br \/>\nDon&#8217;t explain stuff in the narrative that you also explain in the dialogue &#8211; should be in one or the other.<br \/>\nAvoid all -ly adverbs attached to &#8216;said&#8217;, like grimly, swiftly, etc. You could occasionally use &#8216;softly&#8217; if the person is whispering but that&#8217;s about it.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<br \/>\n3. <span style=\"font-size: 18pt; color: #0e58a8;\">Speaker attributions<\/span><br \/>\nHe said. She said.<br \/>\nThat&#8217;s it. No more. Just use said.<br \/>\nNever use he growled, she snapped, he whined, etc.<br \/>\nWhere possible, and it&#8217;s clear, leave out altogether.<br \/>\nBad example:<br \/>\n&#8220;Give it to me,&#8221; she demanded.<br \/>\n&#8220;Here it is,&#8221; he offered.<br \/>\n&#8220;Is it loaded?&#8221; she enquired.<br \/>\nJust use SAID<br \/>\nReaders won&#8217;t even notice it.<br \/>\nBetter to say &#8216;He said&#8217; rather than &#8216;said he&#8217; &#8211; more common practice these days.<\/p>\n<p>&nbsp;<\/p>\n<p>4. <span style=\"font-size: 18pt; color: #0e58a8;\">Substitute beats for speaker attributions<\/span><br \/>\nThis can be handy when there are three or more people in the scene.<br \/>\nYou have to find a way to let the reader know who is talking, and there could be two or more &#8216;he&#8217;s&#8217; or &#8216;she&#8217;s&#8217; in the room.<br \/>\nUsed sparingly, beats can be useful, but don&#8217;t use too often<br \/>\nWhat is a beat?<br \/>\nExample: Dudley stepped between them and help up his hands. &#8220;Now, look, you two.&#8221;<br \/>\nBeats are bits of action interspersed through a scene, such as a character walking to a window or removing his glasses and rubbing his eye.<br \/>\nUsually physical gestures but could be a short passage of interior dialogue.<br \/>\nThey are used to help tie dialogue to setting and characters.<br \/>\nThey provide little bits of imagery that guide readers&#8217; imaginations.<\/p>\n<p>&nbsp;<\/p>\n<p>5. <span style=\"font-size: 18pt; color: #0e58a8;\">Dashes and Ellipses<\/span><br \/>\nUse dashes to show an interruption of a sentence from one character by another character.<br \/>\nUse ellipses to show a trailing off, when a character runs out of a sentence but is un-interrupted.<\/p>\n<p>6. <span style=\"font-size: 18pt; color: #0e58a8;\">Paragraphs<\/span><br \/>\nStart a new paragraph when you start a new speaker.<\/p>\n<p>&nbsp;<\/p>\n<p>In summary, there are some simple rules to follow that really help your dialogue flow and make your writing more professional.<\/p>\n<p>What are your experiences? Do you have advice for new writers about their use of dialogue?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Continuing my Friday theme of posting fiction writing techniques, here is some more about the art and science of dialogue. 1. Dialogue is the first thing readers look for.When I am browsing in a bookstore and pick up a novel I am considering, I flick through the pages and see the pattern and density on [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[5],"tags":[],"class_list":["post-147","post","type-post","status-publish","format-standard","hentry","category-skill"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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